FINDING GOOD IDEAS

Habana, Cuba

Good ideas, set in motion, keep us engaged with our photography. It’s now known that of all the skills that keep highly creative people going, the ability to find inspiration, and then act on it, ranks very high. Here are some tips that may help.

"Put the intention out there"

1.) Open yourself to the possibility of creating something a bit different than you have done in the past; or to go deeper. Acknowledge your desire to do so. Put the intention out there.

2.) Next identify what you’re are attracted to. It doesn't have to be forever....what interests you right now? Is it people, bugs, mountains, or cats?  What are you drawn to photograph? Some people say 'everything' and while that's possible it's not helpful to the cause. Many aren't sure. That’s ok - just look at earlier photographs you've made or images by others that you like. Is there something that keeps showing up? Ask someone who knows you. Look for the hidden themes in your work – some people find writing about them helps. You are in the exploratory phase – there is no such thing as a mistake.

“Start planning, organizing, researching, and inspiring yourself”

Try looking at images you see in magazines. You may say 'I'm drawn to Bali' - then put off working on your idea right now because you have neither time nor money to get to Bali. Remember, you are trying to find something you can work on now, not when you have the right equipment, the planets are in alignment etc. etc. To do that ask what it is about Bali that draws you. Is it the ocean, the lifestyle, or is it the creative spirit that flourishes there. Is it the fact it is far you’re your daily grind? Whatever it is try to find those qualities in subjects near to you now so you can start working right away. Start planning, organizing, researching, and inspiring yourself with examples of photos you love. Find and study the masters. Some people find movies to be a wellspring of ideas for their still photography – allow yourself to be moved….cont.

“Immerse yourself in your subject”

If you are truly called to go to half way around the world, make a plan, then get going on it. In the meantime find something close to home that you can work on. Keep using your camera all the time so that, in this instance, you aren’t rusty when you get to Bali. Keep the juices flowing; research books, online resources etc and immerse yourself in your subject. Research possible locations, events, people or landmarks that are a must for you to work on. If traveling, why not try to be more than a tourist? Volunteering to help in your host country deepens the experience and your pictures….all of a sudden, doors open.

“At first you carry the idea, then the idea carries you…”

3.) Give yourself permission to start and to make whatever it is you’d like to create. Give yourself the green light. Commit to action and keeping moving ahead so you gain momentum. At first you carry the idea, then the idea carries you. If you have to start by making straight imitations of images that inspire you, just do it with passion – don’t worry no one does anything completely original. Just keep making pictures without being too critical of them – do your best. At first, only share the resulting images with people who encourage you to make more photos. No ‘helpful critics’.

“..at this point you may be flooded with many fresh ideas”

4.) Finally, enjoy the images you've made, print the images, hang them on your walls, make a Blurb or iBook, then share them online with whomever you wish. Now that you are finished go ahead and evaluate the work. Interestingly enough, at this point you may be flooded with many fresh ideas and inspirations – write then down and act on the one’s that feel right to you.

©Michael G. O'Brien 2014

TRYING NEW THINGS - 2016 SEPTEMBER NEWSLETTER

TORONTO RAVINE 2016
©Michael O'Brien
CLICK HERE TO SEE MORE

USING NIK SOFTWARE ANALOG EFEX TO MAKE BLACK AND WHITE PHOTOGRAPHS

Nature provides endless opportunities to 'see' the world around us in black and white. This cloud image is finished in NIK software Analog Efex which is one of the approaches that I'll share during the Black and White Digital Photography Workshop in 10 days. Its being held at the Centre for Social Innovation near the vibrant Kensington Market/ Spadina neighborhood on Sept. 24 - 25. CLICK HERE for workshop information.

Summer Clouds
©Michael G.O'Brien

INSIDE NEW YORK CITY - DETAIL OF DOOR HANDLE AT THE NYC PUBLIC LIBRARY

The way B&W accentuates shapes, form and texture makes it perfect for exploring architectural detail like this handle found on one of the the front doors of the Stephen A. Schwarzman Building, at 42nd St and Fifth Ave. It's one of the four research branches of the NYC Public Library system.

Although there was directional light coming in from camera right, also present was enough light bouncing off the surrounding white marble walls to provide the perfect amount of fill light that softened the shadows slightly. 

ABOUT

My passion for photography is fueled by a thirst to

explore and experience the world around me as deeply as possible. It's an inner quest that can manifest in my back yard or half-way around the world. This quest helps me to steadily develop new narratives and subject matter. 

That being said, there are themes woven through my photography. For instance, nature based work has been my main focus over the last ten years, as seen in my HORIZONS sequence which explores the elemental forces of Nature that are at work even at the edges of a big city like Toronto. Prior to that people were my main subject.

Teaching and mentoring others is equally important to me. It helps bring my creative process full circle and allows me to give something back for all the richness and meaning photography has given me; all my life I've trained and led people, in one form or another, and I love it. 

I teach privately and at a local college in downtown Toronto. My passion for teaching initially came as a surprise to me given that I'm completely self taught. But really it comes down to this; it's taken me years to learn things that could've been acquired in months with the right guidance. My goal is to help others move along the learning curve as quickly as possible. 

Whether it's delivering one-to-one training or working with groups, my approach emphasizes the ‘art of seeing’, perceptual skills, and the creative use of digital technology in pursuit of photographic expression.

      Services:

• Portraits (with digital and/or film) 
• My photoworks as inkjet, silver or platinum prints  click here
• Workshops (e.g. The Art of Black and White, The Photo Project)
• Private Camera Training on any subject or technique read more
• Private Lightroom® Training - for refining vision
• Private Portfolio building/review sessions see more
• Individual Creative Direction and Coaching Sessions
• Custom Individual Mentoring Programs click here 

WHAT IS PRIVATE CAMERA TRAINING?

Private camera training lessons vary from session to session but, usually combine explanations and exercises to help deepen one's mastery of camera controls and photographic concepts thus helping you become a better photographer. This is sometimes done along with guided, focused, hands-on practice in the field and often combined with coaching on approaches, styles and individual problem spots.

Here is a few words from Mary (last name with held by request) describing her private session.

"I have known Michael over several years, having taken two photography courses with him, and recently reconnecting when I signed up for one of his private camera training sessions in preparation for a wedding shoot. In fact my first wedding shoot.

"Michael is patient teacher; knowledgeable and passionate about his subject, he clearly approaches it on a deep level that comes from experience. I have always been impressed with the way he pursues his craft, searching it out broadly through exposure to art, film and through his clear love of interacting, teaching, and sharing with others.

"On the wedding prep outing he introduced me to the concept of location portraiture in open shade. He also pointed out that, no, you don't always want the sun behind you, you want it behind your subject (when shooting in bright sunlight). His attention to the particulars of my shoot was marked and I was, again, impressed with the urgency he clearly felt about me nailing down several issues before the shoot.

"After watching Michael, I can see that in addition to helping others he is committed to steadily improving his own understanding of photography. This dedication translates to and permeates his teaching and lends itself to an environment that is truly conducive to learning. It has been a pleasure having the chance to look at photography together with Michael." 

THE POWER OF BLACK AND WHITE PHOTOGRAPHS

Composing black and white photos is different than working in colour. Certainly lines, perspective and content are still important, however, even more so is the tonal range, and the use of light in the image as well as the distribution of 'weight' throughout the composition. A balance of the various visual building blocks helps the viewer find their way through and sit with the image.
These and many other factors will be covered in the upcoming Digital Black and White Photography Workshop

Inside the New York Public Library  ©Michael G.O'Brien

THE POWER OF BLACK AND WHITE - A WORKSHOP

Making Black and White (B&W) photographs is not just a bunch of techniques. It's a way of seeing and a tradition reaching back to the beginnings of photography 177 years ago. CLICK HERE to find out more about the Black and White Digital Photography Workshop that I'm leading this September 24 - 25.