Tuesday 30 August 2016

THE POWER OF BLACK AND WHITE PHOTOGRAPHS

Composing black and white photos is different than working in colour. Certainly lines, perspective and content are still important, however, even more so is the tonal range, and the use of light in the image as well as the distribution of 'weight' throughout the composition. A balance of the various visual building blocks helps the viewer find their way through and sit with the image.
These and many other factors will be covered in the upcoming Digital Black and White Photography Workshop


Inside the New York Public Library  ©Michael G.O'Brien

Sunday 28 August 2016

THE POWER OF BLACK AND WHITE - A WORKSHOP



Making Black and White (B&W) photographs is not just a bunch of techniques. It's a way of seeing and a tradition reaching back to the beginnings of photography 177 years ago. CLICK HERE to find out more about the Black and White Digital Photography Workshop that I'm leading this September 24 - 25.

Friday 19 August 2016

STORIES

I am often asked what led me to become a photographer. The short answer is that it gives me a way to seek, see, and make meaning. While growing up my family traveled and lived in more than a dozen places by the time I was nine, so my world became largely defined by the people, places, cultures, and histories of these communities, seen through the lens of my own imagination. So arose in me the desire to document the singular moments particular to a place, its landscape and its people - its way of continuity. Not only to remember and preserve them for posterity, but more so to reflect how it has made me feel, how it changed or moved something inside of me, how it gave me meaning. As I've learned and grown as a photographer, it has become my way to cherish and preserve precious moments; it has also become my way of honouring and paying homage to what I feel is sacred and the sublime in this world.

This calling has taken me, beginning in my early twenties with my first camera, on several excursions to Latin America. Places in Mexico, Brazil, Ecuador, Costa Rica, El Salvador and Cuba. Westward to Ireland, my ancestral homeland, the United Kingdom and the U.S.A. Transversely from coast to coast in Canada, my home country. There are places I've returned to over and over, just as there are faces I've photographed time and time again, and those I've seen only once, yet somehow each time and each image manages to put something new into my experience of it, like the re-telling of a story.

It is the narrative power of documentary work from masters such as Sebastiao Salgado and Manuel Alvarez Bravo, that first inspired me to tap into photography as story telling. Partly because of these influences, I prefer to tell a story through direct images of people and I think that black and white photographs are beautiful and honest; they constantly step forward to present a timeless and unvarnished truth. In fact, my more formal portrait work has developed at the same time, from the same source and runs parallel to this.

More recently my pursuits brought me to the First Nations communities in Ontario and British Columbia, as well as events that gather elders and spiritual leaders from other reaches of the world. Some are well-known, some are yet unsung heroes and heroines, ambassadors of the Spirit, but all have led me to a new series of photographs in which I intend to document the diversity and unity of the many wisdom traditions in the world.
Relocating, in 2010, to live near the waters of Lake Ontario, in my home province, has rekindled a long time passion of mine to photograph water, in many of its moods and countenances; a story woven with light and dark, width and depth, stillness and unrest, and what it's capable of awakening in us.

All of these have been immeasurable gifts to me as a photographer. These gifts are what I share, as a teacher, with my students in my College classes in Toronto, as well as my independently held workshops and coaching sessions. 

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Monday 6 June 2016

LATIN AMERICA IN BLACK AND WHITE no.16 - Artist, Gil Abelha - Salvador de Bahia, Brazil

I met artist Gil Abelha when my guide Francois Duc took me to visit him at his studio. Gil is one of Bahia's treasures and a successful, well known artist. Click here to see more of Gil's work.




Gil Abelha, Salvador de Bahia, Brazil
©Michael G.O'Brien


LATIN AMERICA IN BLACK AND WHITE no.15 - Living treasures of the Pelourinho

People are the main reason that Latin America attracts me. Along the way, good fortune has been with me, allowing me to meet fascinating people at every step. When time is limited and a place is totally new to me, I hire a guide to lead the way. As fate would have it Francois Duc, a local guide extraordinaire, connected with me and made my stay in Bahia productive. For instance, we met Ascendinha (below) while exploring the inside of an old cathedral where we found a passageway into the bowels of the huge structure. The back basement wall had crumbled and opened up to a view of the Bay of All Saints. This is where Ascendinha had lived for the past twenty years. She was in her 90's, was sharp minded and friendly. She gave me permission to make these pictures.

Ascendinha, Salvador de Bahia, Brazil
©Michael G.O'Brien


Ascendinha's livingroom,
Pelourinho, Salvador, Brazil
©Michael G.O'Brien

Monday 30 May 2016

LATIN AMERICA IN BLACK AND WHITE no.13 - Salvador, Brazil, Upper City near Praca de Se

The colonial architecture of Salvador is gorgeous and reminded me of being in Cuba. I decided to photograph Salvador in black and white - it had been done in colour better than I could ever do it. I brought a dozen rolls of Kodak Hi-Speed Infrared 35mm film with me on the trip. This is one of the resulting images.


Salvador, Brazil - Upper City near Praca de Sé
©Michael G. O'Brien




Sunday 29 May 2016

LATIN AMERICA IN BLACK AND WHITE no.12 - Hotel Solara in the Pelourinho district of Salvador, Brazil

Although I never stayed at the Hotel Solara in the Pelourinho district of Salvador, Brazil, I walked past it everyday and would pop in to get some water or a snack. People were friendly with me, so it was one of the little landmarks I used during my stay in Salvador. It was right after Carnaval so people were tired, but this child had lots of energy! This image always reminds me of how intense was the sunlight those days. There was a real heat wave that went up to 40 - 45C some days - too hot even for the Brazilians who mainly stayed cool in the shade.


Hotel Solara in the Pelourinho district of Salvador, Brazil
©Michael G. O'Brien

LATIN AMERICA IN BLACK AND WHITE - no.11 The Mercado Modelo , Salvador de Bahia, Brazil

These photos were made during a trip to Bahia, Brazil in 2001 - I'd been on a life changing visit to Brazil once before in 1976 - now 25 years later I was returning to Bahia to see if I could find someone that was very special to me. A mentor /spiritual teacher I'd met in Brazil and lost touch with in the 80's. I didn't know if they were alive or dead. More about that as these posts from Brazil unfold.

A lot happens in 25 years - for instance in 1976 the red dirt road from the airport was lined with shanty towns - now it was a 6 lane highway lined with high rises - some of them truly extraordinary buildings. However, many things remained the same so it didn't take me long to orient myself and start visiting the old haunts that I loved in Salvador; like the Mercado Modelo and it's famous wrap around elevated restaurant. The food is ok - the views are spectacular. 

Mercado Modelo, Lower City, Salvador, Brazil
©Michael G.OBrien

Sunday 22 May 2016

LATIN AMERICA IN BLACK AND WHITE - no.10 - Big Mama 1952 Chevrolet Wagon Tin Woody?

Each day that I stayed in Havana was a new adventure - I had no agenda - knew nothing about the place and was sick as a dog most of the time. But I was still excited and was hungry to see everything I could. Whenever I wasn't walking I was driving around in a big, bad classic car. When this one passed us I had to record it - it was a thrill to see these iconic cars actually in service as taxis. Cubans shared them and paid very little to get anywhere in the city. I'm not positive but I think this one was a 1952 Chevrolet Tin Woody - a seriously beautiful machine with curves in all the right places.


Big Chevy, Havana, Cuba
©Michael G. O'Brien

Friday 20 May 2016

LATIN AMERICA IN BLACK AND WHITE - no.8 - Man with Girl near El Malecon, Havana, Cuba

As I walked around Havana with my camera I felt totally safe during the daytime - night was another story. I ran into this man with a girl on his shoulders and was curious, but didn't ask about their relationship. Even after a few weeks in Havana I'd adopted the Cuban trait of not asking questions. Now I really wish I'd asked. I don't usually talk about equipment, however, as a photographer that also teaches I'm always asked by novices, "what kind of camera did you use for this picture etc etc?" This was made with a Nikkor 28mm lens - my favourite focal length for street photography. It always helps me include exactly what I want in the frame and, over the years, has become an extension of the way I see.
For instance in this image the element of composition I'm using is dominant foreground/contributing background. Even when this lens is at 2.8 it gives me enough sharpness in the background to keep it as part of the picture whilst still allowing for a shutter-speed that's fast enough for this kind of flat lighting. This is important to me for my style and working method on the street.
The 28mm Nikkor is light and small, which means unobtrusive in the streets - again, just the way I like it.


El Malecon, Havana, Cuba
©Michael G.O'Brien

Tuesday 17 May 2016

LATIN AMERICA IN BLACK AND WHITE - no.7 Barrio Chino - Gateway to Old Chinatown in downtown Havana, Cuba



The Gateway to Barrio Chino
in downtown Havana, Cuba
©Michael G O'Brien


One of the things that I love about walking around Havana is the constant surprises relating to the history of the place. Seeing this gate honouring the Chinese community that had been there really touched me in some way. There was no Chinese people in sight in that place. When I asked what happened to all the people from that community, people evaded my question; in my limited experience with Cubans I found that answering direct questions about history has caused people too many problems so they avoid them like the plague.


Monday 16 May 2016

LATIN AMERICA IN BLACK AND WHITE no.6 - Big Papa Dodge

Anyone visiting Cuba is, like me , struck by the vintage American cars seen everywhere. It's like being in a time warp.....this is all about to change. For many reasons, the owners of these cars lavish attention on them, in a way that we haven't really seen in North America since the Big American Dream days of the '50's. It's ironic, to me, that in the land of the Revolucion and given the in your face animosity towards America, that we see this kind of care given to the icons of America. Yet so much of it is practicality with a dollop of affection for these old beauties from the golden age of the automobile. They are works of art and they are made of metal so can be repaired with expert welding and spare parts. The engines are also built to last and dead simple to repair compared to what we have today; add to this the fact that people can't afford new cars and the U.S. blockade and you have a country full of vintage cars in flawless condition.
Every morning I'd watch as my neighbour in Havana washed his '57 Dodge while smoking cigars, sharing the daily news with his buddies and taking in the morning sun. It's a special part of the culture and a source of pride and joy for the owners of these Big Papas.



Saturday 14 May 2016

LATIN AMERICA IN BLACK AND WHITE no. 5 - Staircase, Havana, Cuba

I spent days wandering through Old Havana. Often I'd just stick my head into the doorway of an old building and get a glance of the dilapidated staircases which I found endlessly fascinating. Each building seemed to have one that was totally unique.

Staircase, Havana Viejo, Cuba
©Michael O'Brien

Friday 13 May 2016

LATIN AMERICA IN BLACK AND WHITE no.4 - La Vieja Guardia

The Old Guard

While staying in Havana, Cuba, I had an apartment near the Plaza de la Revolución. The day this picture was made it was the anniversary (birthday) of José Marti the fabled poet grandfather of the Revolution. Tens of thousands school children were assembled in the Plaza while speaker after speaker came out to the podium to deliver firebrand communistic, anti-capitalist speeches; some of them looked like they couldn't have been older than twelve. In front of me, a man proudly stood at attention, as if still honouring the spirit of the now totally failed revolution; as if everything he'd sacrificed was worth it to just to see these children relatively free from poverty and oppression.
Seeing this children's political rally summed up my ambivalent feelings for Cuba - it seems to me at once sinister and innocent. However, the rally provoked a question in me - are we really any different than the Cuban regime or do we just indoctrinate our children with different ideals while it seems that conformity is really the chief goal.


La Vieja Guardia
Plaza de la Revolución
Habana, Cuba

Thursday 12 May 2016

LATIN AMERICA IN BLACK AND WHITE no.3

Amigos hanging out in one of the quiet
 neighbourhoods of Havana, Cuba
©Michael O'Brien

Wednesday 11 May 2016

LATIN AMERICA IN BLACK AND WHITE no.2

Waiting for the Bus, Havana, Cuba
©Michael O'Brien
Waiting for things in Cuba is a way of life;
nothing is 'on time' or dependable the way we expect things
to be in the developed world - yet somehow the bus always shows up.

Tuesday 10 May 2016

LATIN AMERICA IN BLACK AND WHITE



When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.”....Ansel Adams 




La Rampa Servicentro
Havana, Cuba
©Michael O'Brien

Thursday 28 April 2016

JOEL MEYEROWITZ: "WHAT YOU PUT IN THE FRAME DETERMINES THE PICTURE"

Listen to photo icon Joel Meyerowitz talk about how his intention is to photograph the unspoken relationship between things.....


Wednesday 20 April 2016

TAKE PART IN OUR DIGITAL PHOTOGRAPHY WORKSHOP SURVEY


A Closer Look
(at what really interests people)






In addition to being a photographer, I teach at a local College, lead my own workshops, lecture at camera clubs, and provide private lessons as well as long term private mentoring programs to photographers.

In that capacity I get asked lots of questions. However, 'what else do you teach?' is the most frequently asked question that I field as a teacher of photography. The most truthful answer I can give to that question right now is, 'that depends on what people want to learn.' 



Offering new digital photography programs through the college is not an option so I present a much wider variety of subject matter and learning opportunities through my workshops, my private instruction and coaching. It is not easy to guess what people really want in a workshop so I'm putting this survey out to see if I can get enough feedback from people to help me develop and implement a photography workshop agenda for the next six months.

It depends on what subjects are truly important to those who would actually commit to registering in and attending a workshop...To find more specific answers to that question, this newsletter contains a quick survey that asks my readers to answer 7 questions. This is a completely anonymous process.


I would really appreciate it if you take a few minutes to complete the survey. It will help me understand what courses and workshops I might offer that will help people in the 6 month program that I'm developing right now. Your feedback is invaluable to me and, once again, the survey process is anonymous.


OUTSIDE THE ROYAL ONTARIO MUSEUM AT NIGHT IN TORONTO

In Toronto we affectionately refer to the Royal Ontario Museum as the R.O.M. The ROM has a dedicated staff of scientific and research people. The collections are extensive and massive. I salute the ROM for staging some brilliant photo exhibitions, such as Sebastiao Salgado's 'GENESIS' exhibit a few years ago. I forgive any of it's failings - I love going to the ROM. This image shows the modern Crystal addition to the old structure. For all their work on the building, I wish they could replace the little ROM sign at the front entrance, certainly we can show our city in a better light than that.



Wednesday 13 April 2016

AN HOMAGE TO STREET PHOTOGRAPHY - A POST SERIES BY MICHAEL O'BRIEN

The following series of posts are my homage to the art and craft of street photography. At the core I'm a self taught photographer whose roots are in street photography. This passion of mine quickly spread to include urban night photography and urban landscape. I love street photography because the subject is always shifting, the action is always unfolding and 'surprises' are seen as gifts....photographic gold. This is good stuff to build your chops with. This base skill set prepared me well for everything that I did afterwards; the portraits, weddings, stage, studio, documentary and nature work. I had no one to tell me I shouldn't do all these things, so I just kept doing it.

While my current work revolves more around themes found in the natural world, I still take my camera to the streets on a regular basis - whether it's to high impact field trips in the courses I teach at local colleges, to the workshops I lead or to the travel I do, I still draw on the skill set I formed on the streets. It keeps me sharp, flexible and open to the exciting world of discovery through the lens.


Security shutter for the El Mocambo Club
 on Spadina Ave. Toronto
©Michael O'Brien 2009

Sunday 10 April 2016

STREET PHOTOGRAPHY - NOT NECESSARILY STRAIGHT PHOTOGRAPHY

Street photography doesn't have be straight photography - it's opened up to include exploring mystery in all it's forms. Night time on the streets gives us ample opportunity to do this with all the little things that come to the fore in darkness. Like the person who walked through the image below.



Friday 8 April 2016

WINDOWS ARE LIKE TIME CAPSULES - SOMETIMES THEY CAPTURE A MOMENT THAT NEVER RETURNS

Even before seeing the work of Eugene Atget windows drew me in. I love them; they are everywhere in the urban landscape and always different. In his book 'Window Shopping Through The Iron Curtain' photographer David Hlynsky presents a culture in transition with his excellent series on windows. Check it out.

Walking with my camera sometimes I'd rather interact with the spaces on the street than the people - windows are one of those spaces.


Victims of Fashion
Queen Street East, Toronto in the 90's
©Michael G.O'Brien

Thursday 7 April 2016

SOMETIMES BUILDINGS ARE THE MOST INTERESTING CHARACTERS IN A NEIGHBOURHOOD

For me street photography includes all subject matter, however, the buildings of a community often provide reference points, good memories, and historical touchstones for a city. The 'Paradise' is one of those places for me. The Only in Paradise Café used to be at 360 Queen Street East. It was a colourful place that fueled many a good party for the neighbourhood. It is now gone but not forgotten.

The 'Only in Paradise Café'
formerly at 360 Queen Street East, Toronto
©Michael O'Brien

Wednesday 6 April 2016

TRAVEL PHOTOGRAPHY IS JUST STREET PHOTOGRAPHY SOMEWHERE ELSE

Does street photography become something else when you are visiting another country? Maybe or maybe not. For me, most of the skills and approach are the same, however, making pictures in another culture increases the chance you may be stepping on some else's toes. Being unaware of the invisible boundaries in another culture can lead to conflict when using a camera - do some research before whipping out a camera....and be respectful as a matter of course.

In Salvador de Bahia, Brasil, where this photo was made, people were ok with being photographed. With street photography it's always better to be aware of your surroundings, no matter where you are.


Hotel Solara, in the Pelourinho
Salvador de Bahia, Brasil
©Michael G.O'Brien

Sunday 3 April 2016

THE POWER OF LIGHT - A DIGITAL PHOTOGRAPHY WORKSHOP WITH MICHAEL O'BRIEN AT THE ROYAL ONTARIO MUSEUM

I've been leading workshops full of photographers through the ROM for over ten years now. The subject matter (sometimes quite creepy) never fails to amaze me - it's endless really. So is the number of unusual lighting scenarios. It's warm in the winter, cool in the summer, the staff are friendly and the extremely photogenic Royal Conservatory of Music is right next door. After my morning talk we make photographs for several hours. Then we get together so we can review and discuss the images. Oh - sometimes we eat too. 



From the 'Collecting' portfolio
©Michael O'Brien

From the 'Collecting' portfolio
©Michael O'Brien

From the 'Collecting' portfolio
©Michael O'Brien

From the 'Collecting' portfolio
©Michael O'Brien

From the 'Collecting' portfolio
©Michael O'Brien